“That guy must really like his camera, he hasn’t stopped looking at it for the past 10 minutes?”
At least that’s how I imagine the average ‘Joe’ might regard someone shooting Street Photography with a TLR camera, such as the Mamiya C33.
In all honesty I’ve never felt more comfortable photographing strangers and candid situations, than when using the Mamiya C33 TLR Medium Format camera.
Admittedly the ‘outfit’, with it’s 135mm Sekor lens (90mm in 35mm terms) does weigh as much as a Carling 8-Pack (whatever one of those is). Fortunately this minor (?) handicap is utterly negated by the unorthodox (by modern standards) shooting style.
Continue reading “Chester Street Photography with the Mamiya C33 and Ilford FP4+ . . .”
. . . To be completely honest and as far as I was concerned, photography was dead to me.
Regular visitors to the Street Photography Blog will be all too aware of my eternal battle with ‘seasonal disappointment’, brought on when the days shorten and the sky turns an uninspirational shade of morbid-grey.
In this frame of mind I would habitually ‘hibernate’ throughout each autumn and winter period, until one day the overcast horizon’s lift, that strange ‘light in the sky’ makes a much anticipated appearance, and it’s no longer necessary to wear five layers of clothing just to go shopping.
This time round however, things felt oddly different.
Continue reading “Morecambe Not Wise – Expired . . .”
. . . Yep, following my visit to Bowness near Windermere in the Lake District and my experiences shooting Street with the Medium Format Mamiya C33 TLR, I have emerged from the fumes, flames, smoke and explosions of the Street Photography Blog laboratory, with another eBook.
“The British – A Pictorial Guide for Other Nations” is a light-hearted and ‘tongue-in-cheek’ search for the elusive and stereotypical representations of how other nations (may possibly) view the British. As it turns out, there is actually a strong basis for these (possible) misconceptions.
As usual, click eBooks to visit that page and download the eBook (PDF), or click the picture below.
. . . If anyone was to tell you that ‘film is dead’, suggest to them that they place a post on Twitter and include the hashtags #Film #Photography. Leave to simmer for a few hours and if the number of favourites, enthusiastic responses and re-tweets they’ll receive are anything to go by, film is apparently continuing to grow in popularity – and I for one can understand why.
Leaving aside the obvious attractions of its inherent image quality, the ‘feel’ and the limited number of exposures available (with the benefits this brings to your photography), there is also a level of anticipation and excitement when it comes to viewing your finished images, which is impossible to achieve with digital. (UPDATE : Unless you’re shooting the Leica M Edition 60 – My 3-Part review starting here).
These unique qualities can be experienced whether you send your films away to be processed, or choose (as I do) to do the work yourself. However, it’s only in the darkroom that you’ll experience the full gamut of emotions.
Take for example the last two days, one Mamiya C33 TLR and four rolls of ‘expired’ Ilford FP4 Medium Format film.
It began a few days ago, when I accidentally tripped over my ancient (and beige) National Geographic canvas camera bag, poking out from under a table – “Ah the old Mamiya” I thought. Very shortly I’d pulled the camera from the bag and soon discovered there were also four rolls of unexposed black & white film in a front pocket. A quick once-over and several film-less test shots later confirmed everything was (somewhat surprisingly) in good order. The old grey-matter quickly got to work and in no time, a plan was hatched.
Continue reading “Medium Format Street Photography With A Mamiya TLR And Darkroom Excitement . . .”